Interviews

Oakmont: An interview with Gil Hanse

With the 2025 US Open arriving at Oakmont, Richard Humphreys spoke with the architect, who renovated the course in 2023, about what to expect

Martin Ebert: Design journey

With a portfolio that includes eight of the ten Open venues, Mackenzie & Ebert occupies an enviable position in the golf design industry. Adam Lawrence spoke with principal Martin Ebert to learn how they got there

Designs for the big screen

Chad Goetz and Agustin Piza discuss their design decisions for the virtual holes that featured in the first season of TGL

Bob Harrison: Wizard of Oz

The Australian designer has had a long career and, like many of his countrymen, has spent much of it away from home. Adam Lawrence listened to his tales from the road

Ben Cowan-Dewar: Shock and awe

Golf development firm Cabot now has properties in six countries. Richard Humphreys speaks with co-founder and CEO Ben Cowan-Dewar about what makes a great site, selection of golf course architects, and more

Team building

Turfgrass has launched its US arm with the appointment of John Lawrence, Adam Moeller and Brad Owen. Richard Humphreys speaks with them, Turfgrass founder John Clarkin and director of agronomy Julian Mooney to find out more

Brian Curley: Life of Brian

The designer has surely clocked up more air miles than anyone else in the business. Adam Lawrence caught up with him in between flights to discuss his career and his new venture with Jim Wagner

Oakmont: An interview with Gil Hanse

With the 2025 US Open arriving at Oakmont, Richard Humphreys spoke with the architect, who renovated the course in 2023, about what to expect

Martin Ebert: Design journey

With a portfolio that includes eight of the ten Open venues, Mackenzie & Ebert occupies an enviable position in the golf design industry. Adam Lawrence spoke with principal Martin Ebert to learn how they got there

Designs for the big screen

Chad Goetz and Agustin Piza discuss their design decisions for the virtual holes that featured in the first season of TGL

Bob Harrison: Wizard of Oz

The Australian designer has had a long career and, like many of his countrymen, has spent much of it away from home. Adam Lawrence listened to his tales from the road

Ben Cowan-Dewar: Shock and awe

Golf development firm Cabot now has properties in six countries. Richard Humphreys speaks with co-founder and CEO Ben Cowan-Dewar about what makes a great site, selection of golf course architects, and more

Team building

Turfgrass has launched its US arm with the appointment of John Lawrence, Adam Moeller and Brad Owen. Richard Humphreys speaks with them, Turfgrass founder John Clarkin and director of agronomy Julian Mooney to find out more

Brian Curley: Life of Brian

The designer has surely clocked up more air miles than anyone else in the business. Adam Lawrence caught up with him in between flights to discuss his career and his new venture with Jim Wagner

Sean Dudley
/ Categories: News

Hanse and Parsinen ready Castle Stuart for play

It has taken eight years, but Mark Parsinen is on the cusp of making a much-anticipated return with his second Scottish links offering. Castle Stuart Golf Links is the developer/co-designer's follow-up project to Kingsbarns and, located six miles east of Inverness and banking onto the Moray Firth, the site has fantastic views to the Kessock Bridge, the Black Isle and Castle Stuart itself.

Construction of the pay-and-play course started in June 2006 and a preview opening has been scheduled for the summer with an official launch date set for 2009. A 57-room boutique hotel and spa facilities will open soon after with a second links course in the offing. There will also be 148 resort-ownership lodges and apartments.

American architect Gil Hanse has been sharing design responsibilities with Parsinen. Like the developer, it is Hanse's second Scottish project, having built Crail Golfing Society's Craighead course a decade ago. "People will notice a difference in the greens and the recovery issues they'll face if they don't hit close to the pin," said Parsinen. "The greens will be smaller but once you're on them, you'll have a more manageable putting situation. The sharp green contours on Kingsbarns will constitute edge conditions on the greens here. You might be as far away from the pin at Castle Stuart but you'll be in the apron cut or the fairway where you can putt, chip or flip a wedge. We try not to use bunkers as a knee-jerk response for the basis of recovery around a green." The disparity between the courses doesn't stop there. As well as remarkable views, the site also provided more textural variety. "It will have the same latitude of play but a different landscape mosaic," Parsinen said. "Here we've worked hard to bring heather and marram grass into the mix and not rely on gorse. When we did Kingsbarns, it was monochromatic – tight-mown fairways, sheep's fescue and roughs, and the gorse took three or four years to grow in. Here we already had mature gorse, so from day one the landscape mosaic was more interesting." Much of the 7,000-yard course has been routed along the coast with seven greens banked directly onto the beach. All of the holes have been orientated to take advantage of noted landmarks, which cleverly re-emphasise the beauty of the area, and many have views across the entire site.

The layout is skilful and considered but also manages to instil a sense of heritage, as course manager Chris Haspell explained. "The landscape has been really important to Mark and Gil, but we've also transported in heather and marram. When we've finished, we'll have planted around 5,000 sq m of sustainable heather and used about 200,000 plants to create that dune-edge look." While sleeper edges around paths and tee complexes will also add to the illusion, it's the bunkers that will be of most interest. "Where there's tight-mown grass, we'll have a recognised revetted edge for maintenance and safety purposes," said Haspell. "But instead of revetting all the way round, the edges closest to nature will look as they did when the sheep sheltered there from the wind – that's the look we're after. We've also put in relic bunkers that look like there was a bunker there once but sand has blown in and the grass has taken over. The idea is to give it that old feel."

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Sean Dudley

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