Interviews

Oakmont: An interview with Gil Hanse

With the 2025 US Open arriving at Oakmont, Richard Humphreys spoke with the architect, who renovated the course in 2023, about what to expect

Martin Ebert: Design journey

With a portfolio that includes eight of the ten Open venues, Mackenzie & Ebert occupies an enviable position in the golf design industry. Adam Lawrence spoke with principal Martin Ebert to learn how they got there

Designs for the big screen

Chad Goetz and Agustin Piza discuss their design decisions for the virtual holes that featured in the first season of TGL

Bob Harrison: Wizard of Oz

The Australian designer has had a long career and, like many of his countrymen, has spent much of it away from home. Adam Lawrence listened to his tales from the road

Ben Cowan-Dewar: Shock and awe

Golf development firm Cabot now has properties in six countries. Richard Humphreys speaks with co-founder and CEO Ben Cowan-Dewar about what makes a great site, selection of golf course architects, and more

Team building

Turfgrass has launched its US arm with the appointment of John Lawrence, Adam Moeller and Brad Owen. Richard Humphreys speaks with them, Turfgrass founder John Clarkin and director of agronomy Julian Mooney to find out more

Brian Curley: Life of Brian

The designer has surely clocked up more air miles than anyone else in the business. Adam Lawrence caught up with him in between flights to discuss his career and his new venture with Jim Wagner

Oakmont: An interview with Gil Hanse

With the 2025 US Open arriving at Oakmont, Richard Humphreys spoke with the architect, who renovated the course in 2023, about what to expect

Martin Ebert: Design journey

With a portfolio that includes eight of the ten Open venues, Mackenzie & Ebert occupies an enviable position in the golf design industry. Adam Lawrence spoke with principal Martin Ebert to learn how they got there

Designs for the big screen

Chad Goetz and Agustin Piza discuss their design decisions for the virtual holes that featured in the first season of TGL

Bob Harrison: Wizard of Oz

The Australian designer has had a long career and, like many of his countrymen, has spent much of it away from home. Adam Lawrence listened to his tales from the road

Ben Cowan-Dewar: Shock and awe

Golf development firm Cabot now has properties in six countries. Richard Humphreys speaks with co-founder and CEO Ben Cowan-Dewar about what makes a great site, selection of golf course architects, and more

Team building

Turfgrass has launched its US arm with the appointment of John Lawrence, Adam Moeller and Brad Owen. Richard Humphreys speaks with them, Turfgrass founder John Clarkin and director of agronomy Julian Mooney to find out more

Brian Curley: Life of Brian

The designer has surely clocked up more air miles than anyone else in the business. Adam Lawrence caught up with him in between flights to discuss his career and his new venture with Jim Wagner

Alice Chambers
/ Categories: News

Scot Sherman renovates Pete Dye layout at Keswick Hall

Scot Sherman is renovating the Full Cry course at Keswick Hall, north-west of Richmond in Virginia, USA.

The Pete Dye layout first opened in 2014 and the course updates are part of a larger investment project at the resort. Work on the golf course will add more variety and challenge, while enhancing Dye characteristics included pot bunkering and railroad ties.

“After working with the Dyes over the years, studying almost all of their courses, and renovating several during my career, I do have a good feel for their work of the past,” said Sherman, lead architect at Love Golf Design. “My observation is that Pete’s best courses are often his most eclectic in style, such as The Golf Club, Harbour Town and Crooked Stick.

“We started with modifications to four holes on Full Cry with additional railroad ties to enhance the theme already influenced by the nearby working rail line. We have also presented more choices on these holes to increase the interest.”

Central pot bunkers were added to the third hole to introduce more playing options and to continue the railroad tie theme. Meanwhile, renovation work was carried out on the large Sahara bunker at the seventh, with a short-cut fairway approach added at the green and an additional pot bunker introduced to replace an existing feature next to the putting surface. “Playing a forgiving 85 yards from the front tee and a daunting 193 yards from the back, the seventh hole is a splendid example of Dye’s genius for visual intimidation,” said Sherman. “The redesign has made a classic hole even better.”

The architect has introduced more lines of play on the thirteenth by adding bunkers and has installed more railroad ties on the fourteenth, to a fairway bunker and along the entire left side of the fairway.

“Pete Dye always liked to tinker and improve his golf course creations, so it’s an honour we’re carrying on his incredible legacy here at Full Cry just as he would have done,” said site owner Robert Hardie. “We are blessed to have one of Pete’s great golf course designs here at Keswick Hall for our members and guests to enjoy for decades to come.”

Rob McNamara, club manager and director of golf at Keswick Hall, said: “Scot is an expert on Pete Dye’s incredible lifetime of work, and we’re thrilled to have him help us make Full Cry even more exceptional. The work has exceeded our expectations and Full Cry has solidified its standing in the upper echelons of premier places to tee it up.”  

Future work on the course will include renovating several turf areas, adding irrigation and reconsidering other holes to improve aesthetics, maintainability, interest and challenge.

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Slideshow HTML
  • Full Cry
    Scot Sherman

    Scot Sherman has added pot bunkers on the thirteenth of the Far Cry course at Keswick Hall

  • Full Cry
    Scot Sherman

    Railroad ties have been added in several places, including a fairway bunker on the fourteenth

  • Full Cry
    Scot Sherman

    The green complex on the par-three Sahara seventh has been reworked

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Scot Sherman
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