Interviews

Oakmont: An interview with Gil Hanse

With the 2025 US Open arriving at Oakmont, Richard Humphreys spoke with the architect, who renovated the course in 2023, about what to expect

Martin Ebert: Design journey

With a portfolio that includes eight of the ten Open venues, Mackenzie & Ebert occupies an enviable position in the golf design industry. Adam Lawrence spoke with principal Martin Ebert to learn how they got there

Designs for the big screen

Chad Goetz and Agustin Piza discuss their design decisions for the virtual holes that featured in the first season of TGL

Bob Harrison: Wizard of Oz

The Australian designer has had a long career and, like many of his countrymen, has spent much of it away from home. Adam Lawrence listened to his tales from the road

Ben Cowan-Dewar: Shock and awe

Golf development firm Cabot now has properties in six countries. Richard Humphreys speaks with co-founder and CEO Ben Cowan-Dewar about what makes a great site, selection of golf course architects, and more

Team building

Turfgrass has launched its US arm with the appointment of John Lawrence, Adam Moeller and Brad Owen. Richard Humphreys speaks with them, Turfgrass founder John Clarkin and director of agronomy Julian Mooney to find out more

Brian Curley: Life of Brian

The designer has surely clocked up more air miles than anyone else in the business. Adam Lawrence caught up with him in between flights to discuss his career and his new venture with Jim Wagner

Oakmont: An interview with Gil Hanse

With the 2025 US Open arriving at Oakmont, Richard Humphreys spoke with the architect, who renovated the course in 2023, about what to expect

Martin Ebert: Design journey

With a portfolio that includes eight of the ten Open venues, Mackenzie & Ebert occupies an enviable position in the golf design industry. Adam Lawrence spoke with principal Martin Ebert to learn how they got there

Designs for the big screen

Chad Goetz and Agustin Piza discuss their design decisions for the virtual holes that featured in the first season of TGL

Bob Harrison: Wizard of Oz

The Australian designer has had a long career and, like many of his countrymen, has spent much of it away from home. Adam Lawrence listened to his tales from the road

Ben Cowan-Dewar: Shock and awe

Golf development firm Cabot now has properties in six countries. Richard Humphreys speaks with co-founder and CEO Ben Cowan-Dewar about what makes a great site, selection of golf course architects, and more

Team building

Turfgrass has launched its US arm with the appointment of John Lawrence, Adam Moeller and Brad Owen. Richard Humphreys speaks with them, Turfgrass founder John Clarkin and director of agronomy Julian Mooney to find out more

Brian Curley: Life of Brian

The designer has surely clocked up more air miles than anyone else in the business. Adam Lawrence caught up with him in between flights to discuss his career and his new venture with Jim Wagner

Scottish artist paints golf courses
AML
/ Categories: News

Scottish artist paints golf courses

Scottish artist Stephen Shankland has launched a collection of paintings that showcase some of his country’s renowned golf courses.

The paintings focus on three of Scotland’s best-known courses, the Old Course at St Andrews, Royal Aberdeen, the sixth oldest club in the world and home to the 2011 Walker Cup, and Turnberry, which hosted this year’s Open.

Born in Irvine, Shankland won the 2004 BP Portrait Award, which led to an exhibition at the National Portrait Gallery in London, and is a member of the Royal Society of Portrait Painters.

It was after painting a commission of the 2006 US Amateur champion, Richie Ramsey, for Royal Aberdeen that Shankland’s interest in golf course landscapes was ignited. He realised that golf courses have infinite potential for abstraction using figures and landscapes together.

“I paint my golfers with great attention to detail in order to give the viewer a real sense of the game in action and their emotional experience that in turn plays off against the quite expressive or impressionistic style I use,” said the artist.

“Painting for me is not always about faithfully copying what is in front of you. In fact the real magic in a painting is found when the artist makes a variety of individual judgements and decisions, whether that choice be in texture, brush marks, colour harmonies or composition. This way I am able to transcend the basic game of golf into a work of fine art that appeals to golfers and non-golfers alike as it is both realist and expressionist simultaneously,” he explained.

“Stephen has captured something quite unique in his study of golf courses; he has managed to accurately portray golfers in action in the correct stances as well as to suggest different weather conditions, the subtlety of the light and the ruggedness and drama of golf course terrain,” said Ronnie MacAskill, director of golf at Royal Aberdeen and owner of the Auld Kirk gallery in the city. 

Shankland is currently looking to extend his golf portfolio by painting Carnoustie, Royal Troon and Muirfield and hopes to travel to the US to capture some of America’s most revered courses. 

To see more of Stephen Shankland’s golf art, visit the Auld Kirk gallery.

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Sean Dudley

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